[et_pb_section fb_built=”1″ custom_padding_last_edited=”on|tablet” disabled_on=”off|off|off” module_class=”header” _builder_version=”4.16″ background_image=”https:\/\/www.prospettivadanzateatro.it\/wp-content\/uploads\/2018\/12\/BLISS-Ph.-Nadir-Bonazzi-2.jpg” background_position=”center_right” custom_padding=”100px||100px||true” custom_padding_tablet=”50px||50px||true” custom_padding_phone=”” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ custom_padding_last_edited=”off|desktop” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ background_layout=”dark” global_colors_info=”{}”]<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”off|off|off” module_class=”organizzatori” _builder_version=”4.27.0″ background_size=”initial” background_position=”bottom_right” custom_margin=”0px||0px|” custom_padding=”100px||100px|” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ custom_margin=”||||false|false” custom_margin_tablet=”50px|||” custom_margin_phone=”” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text disabled_on=”on|on|on” _builder_version=”4.27.4″ disabled=”on” global_colors_info=”{}”]<\/p>\n
The judges<\/strong> are\u00a0being defined<\/p>\n [\/et_pb_text][et_pb_team_member name=”Didier Deschamps” position=”Artistic director of the Cannes Festival de danse” image_url=”https:\/\/www.prospettivadanzateatro.it\/wp-content\/uploads\/2022\/09\/DIDIER-DESCHAMPS-bn-600X600.jpg” disabled_on=”off|off|off” admin_label=”Dider Deschamps” _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n After a career as a dancer, in particular in the company of Viola Farber, teacher and choreographer, Didier Deschamps held the following positions: 1982-1984 director of studies at the CNDC (National Center of Contemporary Dance of Anger), 1985-1990 director of the choreographic studies at the CNSMDP (National Conservatory of Music and Dance of Lyon), 1990-2000 Inspector General and Delegate for Dance at the Ministry of Culture, 2000-2011 general director of the CCN-Ballet de Lorraine, 2011-2021 President and CEO by Chaillot-th\u00e9\u00e2tre national de la danse, 2022-2027 Artistic Director of the Biennale Danza Cannes-C\u00f4te d’Azur.<\/p>\n [\/et_pb_team_member][et_pb_team_member name=”Antonella Bertoni” position=”Dancer and choreographer, co-artistic director of the Abbondanza\/Bertoni Company” image_url=”https:\/\/www.prospettivadanzateatro.it\/wp-content\/uploads\/2025\/02\/BERTONI-390-x390.jpg” disabled_on=”off|off|off” admin_label=”Antonella Bertoni” _builder_version=”4.27.4″ link_option_url_new_window=”on” global_colors_info=”{}”]<\/p>\n Born in Rome, she has been a protagonist of Italian dance since the early 1990s. After training in her hometown, in 1987 she moved to Paris, where she danced with Carolyn Carlson and met Michele Abbondanza, with whom she founded the Abbondanza\/Bertoni Company in 1995. The company, recognised as one of the most prolific in Italy, combines the creation of shows with a path of training and research in contemporary dance theatre. Personal awards include the 1996 Danza&Danza Prize for \u2018best performer\u2019; and the 2017 Danza&Danza Prize for the best Italian production of the year with La morte e la fanciulla. [\/et_pb_team_member][et_pb_team_member name=”Michele Di Stefano” position=”Artistic director of Buffalo – Theatre of Rome” image_url=”https:\/\/www.prospettivadanzateatro.it\/wp-content\/uploads\/2023\/10\/michele-di-stefano390x390.jpg” disabled_on=”off|off|off” admin_label=”Michele Di Stefano” _builder_version=”4.16″ link_option_url_new_window=”on” global_colors_info=”{}”]<\/p>\n Michele Di Stefano, choreographer and founder of the mk group, has received numerous awards for his work (Premio Ubu 2019 and Premio Danza&Danza 2018 for Bermudas, Premio Speciale Danza&Danza 2020 for Eden, Premio Speciale Ubu 2021 for choreographing the Radio India project) and choreographic commissions from Aterballetto, Korean National Contemporary Dance Company, Nuovo Balletto di Toscana, and the Ballet de Lorraine for a new creation in 2023. He was a consultant for dance programming (GRANDI PIANURE 2018-22) at Teatro di Roma, co-curator with Francesca Corona of the Giacimenta project for Matera 2019 and creator of the performance cycles TROPICI (Angelo Mai Rome) and BUFFALO (Palazzo delle Esposizioni, MACRO Roma and Museo Nazionale Romano). In 2018, he curated the outdoor section (Outdoor) of the BolzanoDanza-Tanz Bozen Festival. [\/et_pb_team_member][et_pb_team_member name=”Maria Luisa Buzzi” position=”Editor-in-chief of the magazine Danza&Danza” image_url=”https:\/\/www.prospettivadanzateatro.it\/wp-content\/uploads\/2025\/02\/Maria-Luisa-Buzzi.jpg” disabled_on=”off|off|off” admin_label=” Maria Luisa Buzzi” _builder_version=”4.27.4″ link_option_url_new_window=”on” global_colors_info=”{}”]<\/p>\n Degree in Modern Literature, Master in Performing Arts Management, she is a journalist, dance critic, scholar and editor. Editor-in-chief since 2013 of the magazine Danza&Danza, on newsstands since 1986, of the English edition Danza&Danza International and of the website danzaedanza.com. Formerly Cultrice della Materia for the chair of \u2018Dramaturgia coreutica\u2019 at the Catholic University of Brescia and scientific consultant of Sky Arte Hub for the documentary series Why do we dance? distributed in five European countries, she is a member of the Advisory Board of Oriente Occidente Dance Festival and of the Scientific Committee for Live Performing Arts of the Emilia-Romagna Region. He writes essays for Opera Foundations, Theatres and Festivals; he teaches History of Dance.<\/p>\n [\/et_pb_team_member][et_pb_team_member name=”Emanuele Masi” position=”Artistic Director of the Alighieri Theatre in Ravenna” image_url=”https:\/\/www.prospettivadanzateatro.it\/wp-content\/uploads\/2025\/02\/EMANUELE-MASI-600X600-BN.jpg” disabled_on=”off|off|off” admin_label=”Emanuele Masi” _builder_version=”4.27.6″ global_colors_info=”{}”]<\/p>\n Building on his academic background in music, he has focused his professional career on theatre and dance management, working in cultural planning, consultancy and theatre organisation. He served as Artistic Director of the Teatro Comunale di Bolzano (2013\u20132015) and the Bolzano Danza International Festival (2013\u20132024), and as artistic consultant for the Trentino-Alto Adige Dance Circuit (2018\u20132020). From 2021 to 2025, he collaborated with the Fondazione Musica per Roma, programming the dance events at the Auditorium Parco della Musica and directing the Festival Equilibrio. He is currently Deputy Director of the Haydn Orchestra Foundation of Bolzano and Trento, dance consultant for the Teatro Ristori in Verona, and has recently taken on the role of Artistic Director of the Teatro Alighieri in Ravenna, responsible for programming the opera and dance season. In 2020, his project \u201cEDEN \u2013 dance for a single spectator\u201d won the Danza&Danza Award. In 2022, the Politecnico di Milano awarded him the Gianluca Spina Prize for Digital Innovation. He has also curated dance projects in venues of great artistic, cultural and scenic value, such as the Royal Palace of Caserta, the Basilica dell\u2019Aracoeli in Rome, the Peggy Guggenheim Collection in Venice, the MART in Rovereto and the peaks of the Dolomites.<\/p>\n <\/p>\n [\/et_pb_team_member][et_pb_team_member name=”Patrizia Boscolo Chio” position=”Deputy Director of Arteven, the Veneto Multidisciplinary Circuit” image_url=”https:\/\/www.prospettivadanzateatro.it\/wp-content\/uploads\/2019\/02\/patrizia-boscolo-1.jpg” disabled_on=”off|off|off” admin_label=”Patrizia Boscolo Chio” _builder_version=”4.27.6″ link_option_url_new_window=”on” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n Deputy Director of Arteven, the Veneto Multidisciplinary Circuit, she holds a degree in Music and Performing Arts from the Faculty of Arts and Philosophy at the University of Bologna. Since 1998, she has been responsible for programming performances for the Arteven Multidisciplinary Circuit. Since 2010, she has been directly overseeing activities related to the circuit\u2019s dance projects: from programming for live performance festivals managed by Arteven, to initiatives promoted by Adep \u2013 the Association for Dance, Exercise and Promotion, a member of Agis \u2013 such as the NID Platform (New Platform for Italian Dance), to networking initiatives such as the Anticorpi XL project for young contemporary dance.<\/p>\n <\/p>\n [\/et_pb_team_member][et_pb_team_member name=”Carlo Mangolini” position=” Head of Artistic Development of the Teatro Stabile del Veneto – National Theatre.” image_url=”https:\/\/www.prospettivadanzateatro.it\/wp-content\/uploads\/2025\/02\/Mangolini.jpg” disabled_on=”off|off|off” admin_label=”Carlo Mangolini” _builder_version=”4.27.4″ link_option_url_new_window=”on” global_colors_info=”{}”]<\/p>\n He began his professional career in 1997 in Vicenza at the Centro di Produzione La Piccionaia, where he first served as Director of the Astra Theatre and then as organisational Co-Director of the entire structure. In 2001 he began a 16-year-long collaboration in Bassano del Grappa (VI) with the Multidisciplinary Festival Operaestate as a member of the Artistic Direction that developed the festival’s content. In 2006 he was the creator of B.motion Teatro, the spin-off of Operaestate dedicated to the new languages of the scene, which in just a few years became an important national reference point for numerous emerging groups. From 2011 to 2015 he was Artistic Director of the Municipal Theatre of Lonigo (VI). In 2014 he joined the Teatro Stabile del Veneto, initially to oversee projects related to the contemporary scene and since 2017 as Head of the Training and New Languages Area. From 2019 to 2025 he is Artistic Director of the Municipality of Verona, for which he se-gures the multidisciplinary festival Estate Teatrale Veronese at Teatro Romano and the programming of Grande Teatro at Teatro Nuovo and Altro Teatro at Teatro Camploy.\u00a0For the Teatro Stabile del Veneto, he was responsible for reorganising the School for Actors (now ATCG Accade-mia Teatrale Carlo Goldoni), but above all for devising and launching the TeSeO Teatro Scuola e Occupazione project, the first direct programme agreement on the renewal of artistic training activated by the Veneto Region on the European Social Fund funding line. Since 2024, he has been Director of ATCG with two priority objectives: internationalisation (through Erasmus+ projects) and the definition of a clearer performative identity. For the Teatro Stabile del Ve-neto, he currently also holds the role of Head of Artistic Development of the entire structure.<\/p>\n [\/et_pb_team_member][et_pb_team_member name=”Laura Pulin” position=”Artistic Director of Prospettiva Danza Teatro” image_url=”https:\/\/www.prospettivadanzateatro.it\/wp-content\/uploads\/2019\/02\/Laura-Pulin-1.jpg” disabled_on=”off|off|off” admin_label=”Laura Pulin” _builder_version=”4.27.4″ global_colors_info=”{}”]<\/p>\n Laura Pulin, a graduate of the National Academy of Classical Dance in Rome, is a choreographer, director and teacher. She founded the Spaziodanza Professional Training School in Padua in 1987. In 1998 she founded Compagnia Officina Danza and in 2007 she founded NU.D.I. – Nuova Danza Indipendente – a reality of production and promotion of contemporary dance and research theatre. Over the last decade, he has conducted various stages, seminars and directed Professional Training Courses promoted by the Veneto Region. She currently leads a seminar on contemporary dance and choreographic composition at the Brera Academy of Fine Arts in Milan. Since 1998 she has been the creator and artistic director of the Prospettiva Danza Teatro Review, organised by the Municipality of Padua, and the creator of the International Prize Prospettiva Danza Teatro. In 2008 she was awarded the Vignale Danza Prize for choreographic research.<\/p>\n [\/et_pb_team_member][et_pb_team_member name=”Eleonora De Logu” position=”Assistant to the artistic direction of the Perspective Dance Theater Festival and performer” image_url=”https:\/\/www.prospettivadanzateatro.it\/wp-content\/uploads\/2021\/10\/ELEONORA-DE-LOGU-600X600.jpg” disabled_on=”off|off|off” admin_label=”Eleonora De Logu” _builder_version=”4.27.4″ link_option_url_new_window=”on” global_colors_info=”{}”]<\/p>\n Independent artist, he boasts numerous collaborations in the field of performance, training and in the organization and promotion of projects for institutions and companies. [\/et_pb_team_member][et_pb_team_member name=”Benedetta Bruzzese” position=”Programming and special projects coordination of Arteven Veneto Regional Circuit” image_url=”https:\/\/www.prospettivadanzateatro.it\/wp-content\/uploads\/2026\/03\/benedetta-390×390-1.jpg” disabled_on=”on|on|on” admin_label=”Benedetta Bruzzese” _builder_version=”4.27.6″ link_option_url_new_window=”on” disabled=”on” global_colors_info=”{}”]<\/p>\n Graduated from Ca ‘Foscari University of Venice in Artistic and Performing Techniques and Economics and Management of Arts and Cultural Activities, she collaborated with the Ceremonial Office and the Dance Music and Theater Office of the Venice Biennale as production assistant . She has worked in the organization of events in the corporate, congress and cultural fields, and since 2016 she has been involved in the planning and coordination of special projects for Arteven Multisciplinary Theater Circuit.<\/p>\n [\/et_pb_team_member][et_pb_team_member name=”Valentina Marini” position=”Director of Orbita-Spellbound \/ National Production Center of Dance and Out of Program Festival” image_url=”https:\/\/www.prospettivadanzateatro.it\/wp-content\/uploads\/2022\/09\/VALENTINA-MARINI-bn-600×600-1.jpg” disabled_on=”on|on|on” admin_label=”Valentina Marini” _builder_version=”4.16″ disabled=”on” global_colors_info=”{}”]<\/p>\n She has been working as a cultural worker since 1997. From 1996 to 2001 he was at the Garda Festival as a production assistant first and as Production Director for the last two years. From 1998 to 2000 she directed the “Summer Dance” Festival in Verona at the Giusti Garden, a festival dedicated to contemporary dance, the first of its kind in the city of Verona. Since 1995 she has known Mauro Astolfi with whom she immediately shares the Spellbound production project, joining her at the helm of the company that has immediately started towards a process of intense internationalization and which in 2022 was accredited by the Ministry of Culture as the National Production Center of Dance. [\/et_pb_team_member][et_pb_team_member name=”Philippe Kratz” position=”Freelance choreographer and artistic director of NBDT – Nuovo Balletto di Toscana (Florence)” image_url=”https:\/\/www.prospettivadanzateatro.it\/wp-content\/uploads\/2025\/02\/kratx.jpg” disabled_on=”on|on|on” admin_label=”Philippe Kratz” _builder_version=”4.27.4″ link_option_url_new_window=”on” disabled=”on” global_colors_info=”{}”]<\/p>\n He studied ballet at the \u00c9cole sup\u00e9rieure de Danse du Qu\u00e9bec in Montr\u00e9al and at the Staatliche Ballettschule in Berlin. As a long-standing member of Compagnia Aterballetto, she works with numerous international dancemakers before deciding to deepen her personal research in choreography. In 2018 he creates \u2018O\u2019 as a reaction to a 2017 press conference held in Hong Kong between two humanoid robots. The duet won the 32nd Hannover Choreography Competition, as well as a residency with the Australian Dance Theatre. The German dance magazine \u2018TANZ\u2019 names it \u2018one to watch\u2019 in 2015 and 2019.<\/p>\n In 2019, Kratz was also awarded by the Italian dance magazine Danza&Danza for the choral choreography \u2018cloud|materia\u2019, inspired by the writings of Anni Albers. Since July 2024, he has been the artistic director of the Nuovo Balletto di Toscana.<\/p>\n [\/et_pb_team_member][et_pb_team_member name=” Maud de la Purification” position=”Dancer and assistant choreographer Compagnia Zappal\u00e0 Danza” image_url=”https:\/\/www.prospettivadanzateatro.it\/wp-content\/uploads\/2023\/10\/MaudDeLaPurification-390×390-1.jpg” disabled_on=”on|on|on” admin_label=” Maud de la Purification” _builder_version=”4.16″ disabled=”on” global_colors_info=”{}”]<\/p>\n Born in 1983 in France, after training at the National School of Marseille and the National Conservatory of Toulouse, she worked with Ballet National de Marseille and Ballet du Capitole in Toulouse. Between 2006 and 2009 she collaborated with Nederlands Dans Theater II in the Netherlands, with Sidra Bell in New York and with Hiroaki Umeda in Berlin. She began her collaboration with Compagnia Zappal\u00e0 Danza in 2011 as a dancer, participating since then in all of the company’s productions to date. In 2017, she participated in Marina Mascarell’s project Three Times Rebel. She is Roberto Zappal\u00e0’s assistant and a MoDem teacher, a language of Compagnia Zappal\u00e0 Danza. In recent years she started her own choreographic journey, she also made the creation Siamo in 2018 for CZD2<\/p>\n [\/et_pb_team_member][et_pb_team_member name=”Stefano Tommasini” position=”Professor at IUAV university and dance critic” image_url=”https:\/\/www.prospettivadanzateatro.it\/wp-content\/uploads\/2022\/10\/STEFANO-TOMMASINI-390X390.jpg” disabled_on=”on|on|on” admin_label=”Stefano Tommasini” _builder_version=”4.16″ link_option_url_new_window=”on” disabled=”on” locked=”off” global_colors_info=”{}”]<\/p>\n Stefano Tomassini teaches choreographic and dance studies at the Iuav University of Venice (I). In 2008-2009 he was Fulbright-Schuman Research Scholar (NYC); in 2010 Scholar-in-Residence at the Jacob’s Pillow Dance Festival Archive (Lee, Mass.) and in 2011, Associate Research Scholar at the Italian Academy for Advanced Studies in America, Columbia University (NYC). Since 2021 he has been an honorary member of the Associazione Danzare Cecchetti ANCEC Italy. In 2018 he published the monograph Tempo ferme. Dance and performance to the test of the impossible<\/em> (Scalpendi) and, more recently, with the same publisher, Tempo perduto. Dance and choreography of standing still<\/em>. He is a dance critic for Theater and Critics. For the three-year period 2021-2023 he is part of the MiC dance advisory commission.<\/p>\n [\/et_pb_team_member][et_pb_team_member name=”Alessandro Bevilacqua” position=”Artistic director Festival Danza in Rete \u2013 Vicenza\/Schio” image_url=”https:\/\/www.prospettivadanzateatro.it\/wp-content\/uploads\/2022\/10\/alessandro-bevilacqua.jpg” disabled_on=”on|on|on” admin_label=”Alessandro Bevilacqua” _builder_version=”4.16″ link_option_url_new_window=”on” disabled=”on” global_colors_info=”{}”]<\/p>\n He was born in Noventa Vicentina in 1986. From 2008 to 2017 he was curator of the seasons of the Spazio Bixio Theater in Vicenza and coordinator of territorial cultural projects, with particular reference to contemporary dance. In 2017 he permanently joined the team of the Municipal Theater Foundation of Vicenza, with the role of assistant to the artistic direction for the contemporary dance seasons, for the off section of Danza in Rete Festival and for the contemporary circus season. He is the creator of audience development and engagement projects, artistic and organizational curator of the projects of Artistic Residences-Artists in the Territories, while following the communication for the Municipal Theater of Vicenza, for the Cycle of Classical Shows at the Teatro Olimpico in Vicenza and for Vicenza Jazz. . He is part of the critical observatories for the promotion of young dance and performing arts talents, dealing with scouting, mapping and monitoring of emerging companies \/ artists.<\/p>\n [\/et_pb_team_member][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Jury An international jury made up of artists of the highest caliber and professionalism.2026 Edition The judges are\u00a0being definedAfter a career as a dancer, in particular in the company of Viola Farber, teacher and choreographer, Didier Deschamps held the following positions: 1982-1984 director of studies at the CNDC (National Center of Contemporary Dance of Anger), […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-1402","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.prospettivadanzateatro.it\/en\/wp-json\/wp\/v2\/pages\/1402","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.prospettivadanzateatro.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.prospettivadanzateatro.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.prospettivadanzateatro.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.prospettivadanzateatro.it\/en\/wp-json\/wp\/v2\/comments?post=1402"}],"version-history":[{"count":0,"href":"https:\/\/www.prospettivadanzateatro.it\/en\/wp-json\/wp\/v2\/pages\/1402\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.prospettivadanzateatro.it\/en\/wp-json\/wp\/v2\/media?parent=1402"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
The company has received numerous awards, including the 2022 Ubu Prize for Doppelg\u00e4nger as best dance performance. In 2023, she presented Femina, the second chapter of a trilogy on identity, which received a nomination for the Ubu Awards in the Best Dance Performance 2023 category. She has always combined training and stage activity, leading the Scuola d’Azione, a stage training project at the Teatro alla Cartiera in Rovereto, where the company is in residence.<\/p>\n
Alongside the circuiting of performances, he has an intense activity of meetings, workshops and experimental proposals, including the Platform of Balinese Dance at the Santarcangelo Festival (2014 and 2015), projects for the 2013-14-15 BiennaleDanza and BiennaleTeatro 2019, a constant dialogue with the Scuola Paolo Grassi in Milan, the Anghiari Dance Hub, training and research workshops for the Scuola del Teatro Stabile in Turin, the ISIA bei Urbino and for the IUAV University .
In 2014 he received the Silver Lion for Innovation in Dance at the Venice Biennale and in 2018 the Nico Garrone Prize.
He is an associate artist at the Milan Triennale for the three-year period 2022-24.<\/p>\n
He perfected himself with numerous artists and attended the Paolo Grassi Civic School of Theater – dance theater section in 2009.
She combines the activity of a contemporary dancer \/ performer with collaboration with international artists linked to transversal languages \u200b\u200bfrom the visual arts, to poetry and photography.
In 2019 she is assistant artistic director for the Prospettiva Danza Teatro Festival and since 2024 she has been co-artistic director with Laura Pulin.<\/p>\n
In 2002 the European dance Alliance project was born, an agency for teachers and choreographers and an activity laboratory for schools. In 2007 she created \u201cContemporaneo a Roma\u201d Platform for new choreographers, a new stage for young authors. Since 2011 she has been the agent for Italy of Shirley Esseboom and since 2016 of Emanuel Gat Dance, curator of the dance season for the Teatro Biblioteca Quarticciolo in Rome since 2016, of which she assumes the co-direction together with Giorgio Andriani and Antonino Pirillo from 2020; she also produced in 2017 the InMovimento project for Teatro Eliseo in Rome and is Artistic Director of the \u201cFuori Programma\u201d International Festival in Rome. Engaged for years on the level of cultural policies, she is President of Aidap within Federvivo Agis and member of the Permanent Table of Dance at the Ministry of Culture.<\/p>\n
In 2017 she debuted \u2018Phoenix\u2019 to original music by Italian singer-songwriter Borderline Order.<\/p>\n
Always interested in establishing a direct dialogue and exchange with other artists*, he has so far realised or is currently realising works with Aterballetto, TanzMainz, Gauthier Dance Company, Nuovo Balletto di Toscana, Wiener Staatsballett, Bayerisches Staatsballett, the Croatian National Ballet Zagreb and with the Teatro alla Scala in Milan.<\/p>\n